Course Schedule

Upcoming Courses at the International Center for Photography


Summer 2013

Photo 1 Digital

July 8-31, 2013.
Time: Mon & Wed, 6:00pm to 10:00pm.

This course introduces beginners to the creative and technical possibilities of digital photography. Through demonstrations and hands-on sessions, students learn the basics of using cameras and imaging software to produce digital photographs. Topics include camera operation, shutter speed, aperture, focal length, RAW file formats, white balance, and composition. Using Adobe Lightroom, students learn file management, image enhancement, and printing. Lectures on historical and contemporary artwork explore creative approaches to photography, and assignments build photographic skill sets. For beginners.

Prerequisite: Macintosh literacy or Macintosh Basics (free of charge). Note: a digital camera capable of shooting RAW files is required.

To register, go to the website of the International Center of Photography{here}.



Photoshop III: Digital Imaging for Photographers

August 5-10, 2013.
Time: Mon, Wed, Fri, 6:00 PM to 10:00 PM; and Saturday, 10am to 5pm.

This course focuses on an advanced workflow, including complex masking for control of filter and retouching effects, blending and opacity controls, multiple-pass sharpening, complex compositing for retouching, repurposing of use-neutral files for various output, including standard inkjet and wide-format printers, web display, CMYK conversions andcontinuous tone output, and basic competency with Smart Objects and Smart Filters. This course is for intermediate students who are ready to expand their skills to produce exhibition-quality imagery. A solid grounding in Photoshop at the intermediate level is assumed at the start of the course. Prerequisite: Photoshop II or portfolio review

To register, go to the website of the International Center of Photography{here}.


Fall 2013

Photoshop II: Digital Imaging for Photographers

September 30 to December 9, 2013.
Time: 6:30 to 9:30 pm.

This workshop is designed for photographers and digital imaging artists who have a basic understanding of Photoshop. The focus will be on an ink-jet printing workflow with particular attention to global color correcting using adjustment layers, and on local adjustments with basic masking techniques. The tutorials will also introduce basic retouching and sharpening.

Registration link coming soon.


Coming in Winter 2014

Collage-Montage-Composite (Digital Projects)

Time and Date to be determined. Please stay in touch!

This workshop explores constructed design in photographic practice.

In Photoshop we focus on masking techniques that enable us to intervene in the camera image; outside of Photoshop we explore typography, graphics, paper, scanner-as-camera, tape, glue, transparency, and 3D objects as ways to interrogate our notions about how pictures come to have meaning for us, both individually and culturally.

This course aims at integrating tools, culture, history, and the philosophy of meaning. The collage/montage challenges us to see the edge of photography. That is, where straight photography relies on an invisible frame — an inviolable boundary between photograph and non-photograph — the collage/montage makes the edges visible. This visibility focuses us on the relationship that the photographer has with the world, on the choices he or she makes about subject, angle, exposure, and body position, to name just a few.

This foregrounding of choice, in turn, concentrates our attention on the real material of photography, the core issues at the heart of all photographic practice. That is, collage/montage practice requires that we acknowledge photographic choices about framing, and then it pushes us to newly engage and respond to the choices we’ve made.














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LEARNING RESOURCES

The following short essays are blog posts from
CONSIDERING PICTURES
The 3-legged stool.
Exposure and Histogram
White Balance
File Management on the Camera
Archive Management

RESOURCE TEXTS

Photoshop CS6: The Missing Manual,
by Lesa Snider. Highly rated and in-depth.

Photoshop CS6: Visual QuickStart Guide (Visual Quickstart Guides), by Elaine Weinmann and Peter Lourekas. Basic and visual, easy to follow, not too much overwhelming detail.

Illustrator Visual Quickstart Guide (Peachpit Press) A visual synopsis. Easy to follow.

Photoshop Lightroom: From Snapshots to Great Shots (Covers Lightroom 4) by Jeff Revell.

These are specialized but highly useful:
Mastering Digital Black and White
by Amadou Diallo.
Adobe Photoshop Lightroom
by John Beardsworth

ON-LINE LEARNING

Lynda.com
Thousands of video tutorials.
Adobe for Educators
Adobe Press (IT Network)
Adobe Press Chapters & Articles (free online learning examples)
Safari Books Online
Visual Quickstart Guide Series
Adobe TV (free tutorials)
Adobe Communities (aggregator)
Final Cut (training and resources)
O’Reilly Forums
O’Reilly Academic Solutions
Women in Technology

EDUCATION IN THE DIGITAL AGE

Institute for Distributed Creativity
iDC on Facebook.
An international network of advanced creative production, research, events, and documentation. Conferences focus on new media learning; its forum is for new media researchers ranging from media artists, urbanists, librarians, scientists, designers, and educators.

Academic Commons
A community of educators who are interested in two interlocking questions: how do creative uses of new technology support the project of liberal education, and, perhaps more interestingly, how do they force us to re-think what it means to be liberally educated?

Columbia Center for New Media Teaching and Learning
CCNMTL was founded at Columbia University in 1999 to enhance teaching and learning through the purposeful use of new media.

The World Simulation
A radical experiment in learning at Kansas State University, that was created in a fit of frustration with the large lecture hall format.

Digital Media Pedagogy
a mindmeister map by Trebor Scholz

The Machine is Using Us, and A Vision of Students Today
Two videos by Michael Wesch

Media Commons
A network in which scholars, students, and other interested members of the public can help to shift the focus of scholarship back to the circulation of discourse.

Rhizome: New Media Art
Rhizome is dedicated to the creation, presentation, preservation, and critique of emerging artistic practices that engage technology.

UNDERSTANDING THE WWW

Original WWW Proposal
W3C (governing consortium)
The World Wide Web Consortium (W3C) is an international community working together to develop Web standards. Led by WWW inventor Tim Berners-Lee, its mission is to lead the Web to its full potential.
HTML/CSS — what is it?
HTML and CSS are core technologies for building Web pages. HTML provides the “structure” of the page. CSS describes the display.
W3 Schools Tutorials
Elizabeth Castro (tutorials)
CSS Examples (Zen Garden)
Mimo y Mima (tutorials)
Mimo y Mima (part 2)
Eric Meyer (CSS examples)
Beautiful CSS (forum)

Wikis, Blogs, Social Networks
Blogger (aka Blogspot)
Google Sites
Ning
PBWorks
Pinterest
SocialGo
Stumble Upon
Tumblr
Twitter
Wikispaces
WordPress
COPYRIGHT

Stanford Copyright and Fair Use Center
ASMP Copyright FAQ & Tutorials
Creative Commons (definition)
Creative Commons (licenses)
Lawrence Lessig
A Professor of Law at Stanford, focusing on law and technology as it affects copyright.

VISUALIZING & MAPPING THE INTERNET

The Opte Project
The Internet Mapping Project
Lumeta Network Visualizations

DIGITAL ASSET MANAGEMENT

Wikipedia: A definition.
The DAM Book: Digital Asset Management for photographers.
Universal Digital Imaging Guidelines
Archiving: DAM—The Art of Archiving

COMPUTER FUNCTIONS & VOCABULARY

Wikipedia
Fact Monster
How PCs work
Digital Video Aspect Ratios
Introduction to Computers from URI
Part A
Part B
Part C
Part D
Part E
Part F
Part G
Part H

ACADEMIC SOFTWARE SALES

Nubs